writing

ESSAYS

  • The RS500 (Summer 2019): “#42 The Doors’, ‘The Doors'”
  • Brevity 59 (Fall 2018): “Simple
    • Pushcart Nominee
  • Prairie Schooner 92.2 (Summer 2018):“A Retreat”
    • Winner of a Glenna Luschei nonfiction award
  • Fourth Genre 20.1 (Spring 2018):“Dog-Brain”
  • Catapult (December 2017): “The Land Without Shoelaces and Sharps”
  • Essay Daily (December 2017): “Teaching Food, Revision, and MFK Fisher
  • The Southeast Review 35.2 (Fall 2017):“Revisited”
    • Pushcart Nominee
  • Hobart (August 2017): “Seven Mournings
  • Cutbank 86 (Spring 2017): “Riverbanks and Honeysuckle”
    • 1st place Big Sky Small Prose Flash Contest
  • Assay 3.2 (Spring 2017): “On Best American Essays 1989
  • LUMINA Online 7 (November 2016): “Rice Grain Girl
    • 3rd place Nonfiction Contest
  • Barrelhouse Online (September-December 2016): “Baking is Cheaper Than Therapy”
  • Burrow Press Review (July 2016): “Solve for Ways to Disappear
    • Pushcart Nominee
  • The Tishman Review Craft Talk (July 2016): “On Emotional Resonance
  • Indiana Review 38.1 (Summer 2016): ““Spell for Grief”

PROSE AND GRAPHIC

  • Barrelhouse 18 (Spring 2018): “The Least Visible”
  • DIAGRAM (December 2017): “Control
  • Midwestern Gothic 17 (Spring 2015): “The Accidental Beekeeper”

POETRY

  • Room 42.2 (Summer 2019): “Driving by the Tiger Lilies on I-95 North.”
  • Room 42.2 (Summer 2019): “The Suggestion of Roots.”
  • Booth: A Journal (October 2017): “Girlhood.”
    • Nominated for Best New Poets Anthology
  • Disquieting Muses Quarterly Review (Fall 2016).“Desire as Architecture.”