writing

ESSAYS

• 68to05 (Summer 2021): “1973: Pink Floyd, Dark Side of the Moon“
• Gulf Coast Online (Winter/Spring 2020): “Withdrawal“
• The RS500 (Summer 2019): “#42 The Doors’, ‘The Doors'”
• Brevity 59 (Fall 2018): “Simple”
  • Pushcart Nominee
• Prairie Schooner 92.2 (Summer 2018):“A Retreat”
  • Winner of a Glenna Luschei nonfiction award
• Fourth Genre 20.1 (Spring 2018):“Dog-Brain”
• Catapult (December 2017): “The Land Without Shoelaces and Sharps”
• Essay Daily (December 2017): “Teaching Food, Revision, and MFK Fisher”
• The Southeast Review 35.2 (Fall 2017):“Revisited”
  • Pushcart Nominee
• Hobart (August 2017): “Seven Mournings”
• Cutbank 86 (Spring 2017): “Riverbanks and Honeysuckle”
  • 1st place Big Sky Small Prose Flash Contest
• Assay 3.2 (Spring 2017): “On Best American Essays 1989“
• LUMINA Online 7 (November 2016): “Rice Grain Girl”
  • 3rd place Nonfiction Contest
• Barrelhouse Online (September-December 2016): “Baking is Cheaper Than Therapy”
• Burrow Press Review (July 2016): “Solve for Ways to Disappear”
  • Pushcart Nominee
• The Tishman Review Craft Talk (July 2016): “On Emotional Resonance”
• Indiana Review 38.1 (Summer 2016): “Spell for Grief”

PROSE AND GRAPHIC

• Barrelhouse 18 (Spring 2018): “The Least Visible”
• DIAGRAM (December 2017): “Control“
• Midwestern Gothic 17 (Spring 2015): “The Accidental Beekeeper”

POETRY

• Room 42.2 (Summer 2019): “Driving by the Tiger Lilies on I-95 North.”
• Room 42.2 (Summer 2019): “The Suggestion of Roots.”
• Booth: A Journal (October 2017): “Girlhood.”
  • Nominated for Best New Poets Anthology
• Disquieting Muses Quarterly Review (Fall 2016).“Desire as Architecture.”